In vocal music, singers are typically divided into six ranges. For women, from highest to lowest, those are soprano, mezzo soprano and alto or contralto. For men, the ranges from highest to lowest are tenor, baritone or second tenor and bass. Sometimes, however, males sing in the higher, traditional female ranges, especially before they hit puberty. More rarely, there are women who can sing as low as a male tenor or even bass.
Alto and Tenor Vocal Ranges
There is some debate about where, exactly, the vocal range for each voice lies. Roughly speaking, however, the alto range is considered to be just under two octaves, going from G3, or the G below middle C, up to E5, or the E 10 notes above middle C. Tenors, on the other hand, have a range roughly from C3, or the C one octave below middle C, up to C5, or the C one octave above middle C.
Similarities between Female Alto and Tenor Singers
Although tenors tend to sing somewhat lower than altos overall, there is significant overlap between the two ranges. In addition, women who sing both alto and tenor parts typically have deeper, richer tones than those who sing soprano or mezzo soprano. This is because they are singing from their "chest voices," which resonate deeper and lower in their bodies than the voices of those in the higher ranges, who typically sing from their "head voices."
Arguments against Women Singing Tenor
Some argue that women should never sing the tenor part in choral settings, especially if the group is a mixture of men and women. They may feel this way simply because they prefer the more traditional divisions. Others insist that female and male tenor voices do not blend well. Finally, some vocal instructors believe it is harmful to women's long-term vocal health for them to sing regularly in such a low register.
Arguments for Women Singing Tenor
Although many people believe female and male tenor voices have intrinsically different sounds, a 2010 study analyzed the vocal characteristics of both groups and found "there was more variance between the individuals than between groups of male and female singers" and that there were "no significant differences" between the voices of the two genders. In addition, the lack of male singers in many choral groups has caused music directors to use female tenors out of necessity.
Basil Phillips works as both a columnist and editorial writer for the "Oklahoma Daily." Currently pursuing a double major in history and Arabic at the University of Oklahoma, Phillips specializes in writing about health, history, traveling, languages, video games and education.