Singing in an a cappella group requires many different skills: strong voice, musicianship, ability to blend and confidence on stage. The audition process for an a cappella group can be quite rigorous. Here are a few short-term and long-term tips for succeeding at the audition.
Keep yourself in optimum physical condition in the few days before the a cappella audition. Drink plenty of water. Avoid alcohol, which dehydrates the vocal chords. Avoid milk and orange juice, as they cause phlegm build up in the throat. In the days before the audition, get plenty of sleep--8 to 10 hours a night, if possible.
Understand that succeeding at an a cappella audition involves balancing a solo voice with the ability to blend. While classical training helps, a cappella groups are not necessarily looking for an operatically trained voice. While it is important to hold your own during a solo, a cappella groups like singers who will blend with the sound and harmony of the group. In a cappella groups, it is more important to be a team player than it is to be the best singer. If the group is going flat or sharp, you have to adjust to them, even when they are wrong. A cappella groups also like to have a pure sound. They like straight tone, as opposed to vibrato.
Know that ear training is important. At the audition, the group might play a progression of notes that you will have to sing back. Alternately, they may play a succession of chords and have you find and sing the middle note. Preparing for the ear-training part of the audition will require longer-term effort. While voice lessons will help your vocal technique, they may not necessarily help in ear training or musicianship. There are many ways to develop a good ear: Listen to different kinds of music, practice chords at the piano and take music-theory classes. Instrumentalists tend to have an advantage in the ear-training section of the audition. Instrumentalists are used to reading more complicated music and hearing different tonalities.
Recognize that a cappella groups also look for a personality fit. At the audition, they will ask you to prepare a joke. They want to see if you blend with the social dynamic of the group. A cappella groups like fun, outgoing people. Performing a cappella involves not only singing, but also stage presence, humor and the ability to perform off the cuff. That's why so many a cappella singers also have theatrical training.
Keep a level perspective. Sometimes, a rejection may have nothing to do with you. Maybe the group was looking for a different voice (an alto, whereas you are a soprano). Maybe the a cappella group had more of a pop sound, and you have an R&B voice. Maybe you didn't fit with the social dynamic of that particular group. A cappella groups do not necessarily look for the best singer. They look for the best fit for the group. If you keep getting rejected, work on your vocal technique, ear training and musicianship. If you are good, something will eventually work out.
Developing a good ear is like building a strong vocabulary: It takes time. Listen to different types of music--not only different genres, but also different periods. The 18th-century classical style of Mozart is very different from the 20th-century atonal and twelve-tone music of Schoenberg and Hindemith. Become familiar with the sound and tonality of different periods of music. It will pay off during the ear-training part of the audition.
Remember that singing should be enjoyable. If you are having a good time, it will show on stage and at the a cappella audition. If you are self-conscious or nervous, it could hurt you. Develop your confidence by singing in the shower, singing for your friends and even performing karaoke.
Tina Molly Lang is a violinist, freelance writer, and Yale School of Music graduate. She is also a regular news writer for Associated Content, arts writer for the Examiner and has been published in other magazines including The American Thinker. She has been writing on a freelance basis since 2007.